On its debut self-titled album, Tacoma, Washington's Mono In VCF creates a mammoth wall of sound that Tom Scanlon of the Seattle Times describes as "drifting leisurely in space somewhere between psychedelic Beatles and Massive Attack." The sound is a haunting and orchestral brand of pop derived from various influences traced back to the decade of experimental pop: The psychedelic 60s.

"Drifting leisurely in space somewhere between psychedelic Beatles and Massive Attack." - SEATTLE TIMES